BAIN MUSC 116
Music Theory II

Harmonic Analysis

Burstein/Straus Ch. 17-24
Workbook Exercises

Return to: MUSC 116 | Naxos Music Library (NML)


Ch. 17 The Leading-Tone Seventh Chord

  1. MOZART, Requiem, Agnus Dei {NML}, Wrk. Ex. 17.F1, p. 187
  2. HAYDN, Symphony No. 64, III. Menuet: Allegretto, Trio {NML @ 0:53}, Wrk. Ex. 17.F7, p. 189

Ch. 18 Approaching V: IV6, ii, ii7, and IV7

  1. J.S. BACH, Violin Partita No. 2 in D Minor, BWV 1004, V. Ciaconna {NML}, Wrk. Ex. 18.F1, p. 198
  2. HANDEL, Lascia ch'io pianga (Let me weep), from Rinaldo, Act II {NML}, Wrk. Ex. 18.F5, p. 199
  3. J.S. BACH, Prelude No. 1 in C Major, BWV 870 {NML}, Wrk. Ex. 18.F6, p. 199
  4. MENDELSSOHN, Violin Concerto in E Minor, Op. 64, I {NML}, Wrk. Ex. 18.F7, p. 200
  5. MOZART, Clarinet Quintet in A Major, K. 581, II. Larghetto {NML}, Wrk. Ex. 18.F9, p. 200

Ch. 19 Multiple Functions: VI

  1. SCHUMMAN, "Hör ich das Liedchen klingen" (I hear the song resounding), from Dichterliebe, Op. 48 {NML}, Wrk. Ex. 19.E3, p. 209
  2. MOZART, Piano Sonata in C Major, K. 545, II {NML}, Wrk. Ex. 19.E5, p. 210
  3. SCHUBERT, Mignon I (Heiss mich nicht reden) {NML}, Wrk. Ex. 19.E7, p. 210
  4. BEETHOVEN, Violin Sonata No. 5 in F Major, Op. 24, "Spring" {NML}, Wrk. Ex. 19.E9, p. 211

Ch. 20 Embellishing Tones in Four-Part Harmony

  1. J.S. BACH, Chorale 269 {NML; Score: Dahn 2018}, Wrk. Ex. 20.G1, p. 220
  2. J.S. BACH, Chorale 117 {NML}; Score: Dahn 2018}, Wrk. Ex. 20.G2, p. 220
  3. BEETHOVEN, Piano Sonata No. 1 in F Minor, Op. 2, No. 1, II {NML}, Wrk. Ex. 20.G5, p. 221

Ch. 21 III & VI

  1. J.S. BACH, Chorale 93 {NML}; Score: Dahn 2018}, Wrk. Ex. 21-E 2, p. 226

Ch. 22 Sequences
  1. Harmonic Sequences
  2. Musical Examples

Ch. 23 Other Six-Four Chords

  1. J.S. BACH, Chorale 59, O grosse Lieb, from St. John's Passion {NML; Score: Dahn 2018}, Wrk. Ex. 23.D2, p. 244
  2. HAYDN, Keyboard Sonata (Divertimento) No. 6 in C Major, Hob. XVI:10 {Naxos, Wrk. Ex. 23.D9, p. 246

Ch. 24 Other Embellishing Chords

  1. BACH, Chorale 58, Herzlich lieb hab ich dich {NML}; Score: Dahn 2018} Ex. 24.E1a, p. 253
  2. HAYDN, String Quartet, K. Op. 50, No. 4, II, Andante moderato assai {NML}; Ex. 24.E2b, p. 253



Active Learning Worksheets

  1. J.S. BACH, Ich bin's, ich sollte bussen, from St. Matthew Passion, BWV 244 {NML}; Score: Dahn 2018}
    Monteverdi Choir/English Baroque Soloists, Gardiner
  2. J.S. BACH, Chorale 5, An Wasserflüssen Babylon {NML; Score: Dahn 2018}
    Chamber Choir of Europe, Matt
  3. J.S. BACH, Chorale 1, Aus meines Herzens Grunde {NML; Score: Dahn 2018; Mutopia Project} Wrk. 24.E2c, p. 254
    Stuttgart Bach Collegium, Rilling



References

Burstein, L. Poundie and Joseph N. Straus. 2016. A Concise Introduction to Tonal Harmony, 1st ed. New York: Norton. {Norton}

Dahn, Luke. 2018. The Four–Part Chorales of J.S. Bach. Available online at: <http://www.bach-chorales.com/Index.htm>.



Updated: June 20, 2022

Reginald Bain | University of South Carolina | School of Music
https://reginaldbain.com/vc/musc116s/