BAIN MUSC 215
Music Theory III

Bibliography

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Aldwell, Edward, Carl Schachter, and Allen Cadwallader. 2018. Harmony and Voice Leading, 5th ed. Boston: Cengage. {GB; Cengage}

Anderson, L., D. Krathwohl, and B. Bloom. 2001. A Taxonomy For Learning, Teaching, and Assessing: A Revision Bloom's Taxonomy Of Educational Objectives. London: Longman. {GB}

Burstein, Poundie and Joseph N. Straus. 2020. A Concise Introduction to Tonal Harmony, 2nd ed.. New York: Norton. {GB; Norton}

Caplin, William E. 2013. Analyzing Classical Form: An Approach for the Classroom. New York: Oxford University Press. {GB; Full text: Ebook Central; Companion Website}

______________. 2000. Classical Form. New York: Oxford University Press. {GB; Oxford; Full text: Ebook Central}

Clendinning, Jane Piper and Elizabeth West Marvin. 2021. The Musician's Guide to Theory and Analysis, 4th ed. New York: Norton. {GB; Norton}

Damschroder, David. 2008. Thinking about Harmony: Historical Perspectives on Analysis. London: Cambridge University Press. {GB; Full text: Ebook Central}

Forte, Allen. 1979. Tonal Harmony in Concept and Practice. New York: Holt, Rinehart and Winston. {GB}

Gotham, Mark, et al. 2020. Open Music Theory. Available online at: <https://viva.pressbooks.pub/openmusictheory/>.

Gjerdingen, Robert. 2007. Music in the Galant Style. New York: Oxford University Press. {GB; Ebook Central}

Harrison, Daniel. 1994. Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents. Chicago: University of Chicago Press. {GB; U. of C. Press}

Hepokoski, James and Warren Darcy. 2011. Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata. New York: Oxford University Press. {GB; Full text: Ebook Central}

Holm-Hudson, Kevin. 2016. Music Theory Remixed: A Blended Approach for the Practicing Musician. New York: Oxford University Press. {GB; OUP}

Hutchinson, Robert. 2017. Music Theory for the 21st-Century Classroom. Available online at: <http://musictheory.pugetsound.edu/mt21c/MusicTheory.html>.

Kostka, Stefan and Dorothy Payne. 2008. Tonal Harmony: With an Introduction to Post-Tonal Music, 6th ed. New York: McGraw Hill. {9/e: McGraw Hill}

Laitz, Steven. G. 2018. The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, 4th ed. New York: Oxford. {GB; 5/e: OUP}

Neuwirth, Markus and Pieter Bergé, eds. 2015. What Is a Cadence?: Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire. Leuven, Belgium: Leuven University Press. {GB; Full text: Ebook Central}

Santa, Mathew. 2023. Hearing Form: Musical Analysis With and Without the Score, 3rd ed. New York: Routledge. {GB; Routledge}

Stein, Deborah, ed. 2005. Engaging Music: Essays in Music Analysis. New York: Oxford University Press. {GBd}

Turek, Ralph and Daniel McCarthy. 2019. Theory for Today's Musician, 3rd. ed. New York: Routledge. {GB; Routledge; Companion Website}