BAIN MUSC 216
Music Theory IV

OMT2 Resources

Return to: MUSC 216

Links to Open Music Theory, Version 2 (OMT2) resources for topics covered in MUSC 215 and 216:

1. MUSC 215
• Applied Chords
• Tonicization {OMT2}
• Modulation
• Extended Tonicization and Modulation to Closely Related Keys {OMT2}
• Modal Mixture {OMT2}
• Neapolitan 6th {OMT2}
• Augmented Sixth Chords {OMT2}
• Form {OMT2}
• Binary {OMT2}
• Ternary Form {OMT2}
• Sonata Form {OMT2}
2. MUSC 216
• Chromatic Harmony & Voice Leading (cont.)
• Other Chromatically Altered Chords
• Chord Symbols {OMT2}
• Altered and Extended Dominant Chords {OMT2}
• Augmented Options {OMT2}
• Substitutions {OMT2}
• Harmonic Elision {OMT2}
• Common-Tone Chords {OMT2}
• Mediants {OMT2}
• Chromatic Sequences {OMT2}
• Chromatic Modulation {OMT2}
• Equal Divisions of the Octave {OMT2}
• Post-Tonal Theory
• Collections and Scales
• Diatonic Modes {OMT2}
• Collections {OMT2}
• Analyzing with Modes, Scales, and Collections {OMT2}
• Triadic Post-Tonality
• Neo-Riemannian Triadic Progressions {OMT2}
• Atonal Theory
• 20th- & 21st-Century Techniques {OMT2}
• Pitch and Pitch Class {OMT2}
• Intervals and Integer Notation {OMT2}
• Pitch Class Sets, Normal Order, and Transformations {OMT2}
• Set Class and Prime Form {OMT2}
• Interval Class Vector {OMT2}
• Analyzing with Set Theory (or not!) {OMT2}
• Twelve-Tone Serialism
• Twelve-Tone Music {OMT2}
• Basics of Twelve-Tone Theory {OMT}
• Naming Conventions for Rows {OMT2}
• Row Properties {OMT2}
• Analysis Examples – Webern Op. 21 & 24 {OMT2}
• Composing with Twelve Tones {OMT2}
• History and Context of Serialism {OMT2}
• Twelve-Tone [Row] Anthology {OMT2}z

Reference

Gotham, Mark, Kyle Gullings, Chelsey Hamm, Bryn Hughes, Brian Jarvis, Megan Lavengood, and John Peterson. 2020. Open Music Theory, Version 2. Viva Press Publishing. Available online at: <https://viva.pressbooks.pub/openmusictheory/>.