Fall 2021
C O U R S E M O D U L E S
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1. | Course Introduction | |
2. | Sound Editing
& Transformation |
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3. | Interactive
Music Programming & MIDI |
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4. | Digital Audio | |
5. | Synthesis |
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Sequencing |
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Research
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News
Quotable
There are no theoretical limitations to the performance of the computer as a source of musical sounds, in contrast to the performance of ordinary instruments.
– Max Mathews
An introduction to the theory, history, and practice of computer music for digital musicians.
Burk, et al., Music and Computers: A Theoretical and Historical Approach (2011) {E-book}
Audacity | Max | MIDI | Digital Audio | MSP | History | Synthesis | Sequencing
See also: MUSC 336 Bibliography & Articles
Burk, Phil, Larry Polansky, Douglas Repetto, Mary Roberts and Dan Rockmore. 2011. Music and Computers: A Theoretical and Historical Approach, Archival Version. Available online at: <http://musicandcomputersbook.com>.
Hass, Jeffery. 2021. Introduction to Computer Music: An Electronic Textbook, 2nd ed. Bloomington, IN: Indiana University. Available online at: <https://cmtext.indiana.edu>.
Manning, Peter. 2013. Electronic and Computer Music, 4th ed. New York: Oxford. {GB; Full text: Ebook Central}
Winkler, Todd. 2001/1998. Composing Interactive Music: Techniques and Ideas Using Max. Cambridge, MA: MIT Press. {GB; Full text: PASCAL}
Reginald
Bain | University of South
Carolina | School
of Music
https://reginaldbain.com/vc/musc336/