BAIN MUSC 525

Each Straus 4/e chapter ends with a comprehensive set of *theory
exercises*, two in-depth *model
analyses*, a set of *guided
analyses*, and an *annotated bibliography* with
further reading. The first page of each section is indicated
below. The complete Straus 4/e Table of Contents is available in
Google Books {GB}.

Chapter 1. Basic Concepts of Pitch and Interval, p. 1

- Theory Exercises, p. 18
- Model Analyses, p. 22
- Guided Analyses, p. 31
- Bibliography & Further Reading, p. 42

Chapter 2. Pitch-Class Sets, p. 43

- Theory Exercises, p. 71
- Model Analyses, p. 75
- Guided Analyses, p. 87
- Bibliography & Further Reading, p. 93

Chapter 3. Some Additional Properties and Relationships, p. 95

- Theory Exercises, p. 132
- Model Analyses, p. 137
- Guided Analyses, p. 148
- Bibliography & Further Reading, p. 157

Chapter 4. Motive, Voice Leading, and Harmony, p. 159

- Theory Exercises, p. 199
- Model Analyses, p. 202
- Guided Analyses, p. 214
- Bibliography & Further Reading, p. 225

Chapter 5. Centricity and Referential Pitch Collections, p. 228

- Theory Exercises, p. 263
- Model Analyses, p. 265
- Guided Analyses, p. 277
- Bibliography & Further Reading, p. 292

Chapter 6. Basic Concepts of Twelve-Tone Music, p. 294

- Theory Exercises, p. 338
- Model Analyses, p. 342
- Guided Analyses, p. 354
- Bibliography & Further Reading, p. 376

List of Set Classes, p. 378Answers to Selected Theory Exercises, p. 389

Index of Concepts, p. 389

Index of Composers & Works, p. 395

TABLES

Here is a listing of the
book's most important tables. As we analyze post-tonal music, we
often return to these tables – especially the* List of Set
Classes*.

Set Class List

- List of Set Classes, pp. 378-381

Inversion(T_{n}I, or I_{n})

- The 12 possible inversions; i.e., pc mappings under T
_{n}I, p. 61- The 12 possible axes of inversional symmetry, p. 240
Set Class Symmetry underT_{n}/T_{n}I

- T
_{n}-symmetrical set classes, p. 101- T
_{n}I-symmetrical set classes, p. 111

(with more than 1 degree of inversional symmetry)TC Property

- Tetrachords with the transpositional combination property, p. 126
Contour Classes

- CSEG-classes for CSEGs of 3 and 4 notes, p. 129
Interval Cycles

- Interval cycles, p. 164
Maximal Evenness

- Maximally even set classes, pp. 170-171

Straus, Joseph N. 2016.Introduction to Post-Tonal Theory, 4th ed. New York: Norton. {GB}

Updated: July 10, 2024

Reginald Bain | University of South Carolina | School of Music

https://reginaldbain.com/vc/musc525/