Each Straus 4/e chapter ends with a comprehensive set of theory
exercises, two in-depth model
analyses, a set of guided
analyses, and an annotated bibliography with
further reading. The first page of each section is indicated
below. The complete Straus 4/e Table of Contents is available in
Google Books {GB}.
Chapter 1. Basic Concepts of Pitch and Interval, p. 1
- Theory Exercises, p. 18
- Model Analyses, p. 22
- Guided Analyses, p. 31
- Bibliography & Further Reading, p. 42
Chapter 2. Pitch-Class Sets, p. 43
- Theory Exercises, p. 71
- Model Analyses, p. 75
- Guided Analyses, p. 87
- Bibliography & Further Reading, p. 93
Chapter 3. Some Additional Properties and Relationships, p. 95
- Theory Exercises, p. 132
- Model Analyses, p. 137
- Guided Analyses, p. 148
- Bibliography & Further Reading, p. 157
Chapter 4. Motive, Voice Leading, and Harmony, p. 159
- Theory Exercises, p. 199
- Model Analyses, p. 202
- Guided Analyses, p. 214
- Bibliography & Further Reading, p. 225
Chapter 5. Centricity and Referential Pitch Collections, p. 228
- Theory Exercises, p. 263
- Model Analyses, p. 265
- Guided Analyses, p. 277
- Bibliography & Further Reading, p. 292
Chapter 6. Basic Concepts of Twelve-Tone Music, p. 294
- Theory Exercises, p. 338
- Model Analyses, p. 342
- Guided Analyses, p. 354
- Bibliography & Further Reading, p. 376
List of Set Classes, p. 378
Answers to Selected Theory Exercises, p. 389
Index of Concepts, p. 389
Index of Composers & Works, p. 395
Here is a listing of the
book's most important tables. As we analyze post-tonal music, we
often return to these tables – especially the List of Set
Classes.
- Set Class List
- List of Set Classes, pp. 378-381
- Inversion (TnI, or In)
- The 12 possible inversions; i.e., pc mappings under TnI, p. 61
- The 12 possible axes of inversional symmetry, p. 240
- Set Class Symmetry under Tn/TnI
- Tn-symmetrical set classes, p. 101
- TnI-symmetrical set classes, p. 111
(with more than 1 degree of inversional symmetry)- TC Property
- Tetrachords with the transpositional combination property, p. 126
- Contour Classes
- CSEG-classes for CSEGs of 3 and 4 notes, p. 129
- Interval Cycles
- Interval cycles, p. 164
- Maximal Evenness
- Maximally even set classes, pp. 170-171
Straus, Joseph N. 2016. Introduction to Post-Tonal Theory, 4th ed. New York: Norton. {GB}
Reginald Bain | University of South Carolina | School of Music
https://reginaldbain.com/vc/musc525/