BAIN MUSC 529
Eighteenth-Century Counterpoint
Fugue Terms & Concepts
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| Terms & Concepts
Textbook
Robert
Gauldin, A Practical Approach to 18th Century Counterpoint
(Long Grove, IL: Waveland Press, 2013/1995). {Table
of Contents}
Terms & Concepts
- Historical
Background, p. 209-210
- Medieval
- fuga,
(Lat., 'to flee')
- rondellus
{WP} and caccia
{BA}
- Renaissance
- Canonic
procedure
- Choral
motets {WP}
-> keyboard ricercare {WP}
- Chansons
-> canzonas {WP}
- fuga
(meaning strict imitation and evoking hexachordal theory) vs. imitatione
(Lat., 'imitation')
- The
Fugues of J.S. Bach, p. pp. 210-211
- J.S.
BACH, Well-Tempered Clavier
(WTC) {WP}
- Book
I (1722)
- Book
II (c1742)
- Monothematic
fugue, p. 210
- Compositional
procedure
- Gauldin
writes that fugue is a "compositional procedure rather than an
actual formal model." (p. 210)
- Simple
fugue
- Exposition
(EXPO), pp. 211-217
- Number
of voices
- Order
of entries; e.g., SAS; 213
- Countersubject
(CS)
- Bridge
(after Benjamin 2003)
Gauldin calls this the episode following the answer, p. 214
- -----
- Episodes, pp. 219-222
- Reentries
of the subject, p. 218-219
- Middle
entry
- Inverted
entry
- Extra
entry, pp. 215-217
- Final
entry
- Contrapuntal
devices, pp. 222-223
- Stretto
- Augmentation/diminution of the subject
- Invertible
counterpoint
- Double
counterpoint
- Triple
counterpoint
- Codetta
- Additional topics:
- Counter-Exposition,
p. 217
- Rhythmic
modification of themes
- Pedal
point
- The
Overall Structure of a Fugue, pp. 223-226
- fuge
d'ecole (Fr., 'academic fugue'), p. 223
- Model
Analyses
- Simple
Fugue
- WTC
I, Fugue No. 2 in C minor, a 3, pp. 223-225
- WTC
I, Fugue
No. 8 in D# minor, a 3, pp. 225-226
- WTC
II, Fugue
No. 9 in E major, a 4, pp. 262-264
- Multiple
Fugue
{Earsense}
- Double
fugue, pp. 266-271
- WTC
I, Fugue No. 13 in F# major
- Contrapunctus
IX,
a 4, pp. 270-271
- Contrapunctus
X, a 4, pp. 269-270
- WTC
II, Fugue No. 14 in F# minor, a 3, pp. 272-274
- WTC
I, Fugue No. 4 in C# minor, a 5
- Other Topics
- Development in fugue
- Use of canon
- Five-
and Six-Voice Fugues, pp. 274-275
- WTC
I, Fugue No. 4 in C# minor, a 5
- WTC
I, Fugue No. 22 in Bb minor, a 5
- Musical
Offering, Ricercar,
a 6
- Other
Fugues by J.S. Bach
- List
of fugal works by J.S. Bach {WP}
- Musical
Offering {WP}
- Ricercar,
a 3
- Ricercar,
a 6
- Art
of the Fugue {Teoria;
WP}
- Organ
fugues, pp. 255-256
- Fugue
in G minor ('Great'), BWV 542, p. 267 {WP}
- Fantasia
and Fugue in C minor, BWV 537, p. 271 {WP}
- Fugue
in E minor ('Wedge'), BWV 548 {WP}
- Fugue
in G minor ('Little'), BWV 578 {WP}
- Passacaglia
and Fugue in C minor, BWV 582 {WP}
- Fugue
in choral movements, pp. 284-285
- Permutation
fugue, p. 285
- Christmas Oratorio, BWV 248 {WP},
p. 285
- Mass
in B minor, BWV 232, Kyrie {WP}
Links
Algomus,
Computational Analysis of Bach Fugues – http://www.algomus.fr/fugues/bach/index.html
Britannica
Academic (BA), Encyclopedia
Britannica – https://academic.eb.com/levels/collegiate
José
Rodríguez Alvira, The Art of the Fugue – https://www.teoria.com/en/articles/kdf/
Kai
Christiansen, "48 Jewels," from Earsense – https://www.earsense.org/Earsense/WTC/
Tim
Smith, Fugues of the Well-Tempered Clavier –
See the Digital
Bach archive
{YouTube
Channel}
References
Benjamin,
Thomas. 2003. The
Craft of Tonal Counterpoint, 2nd ed. New York: Routledge. {GB; Full
text: EBSCOhost; Ebook
Central}
Gauldin,
Robert.
2013/1994. "Ch. 17 Three-Voice Fugue," and "Ch. 20 Other
Studies in Fugue," in A Practical Approach to 18th Century
Counterpoint (Long Grove, IL: Waveland Press,
2013/1995). {GB}
Smith,
Tim. 1996. "Anatomy of a Fugue," from The
Canons and Fugues of J.S. Bach. {Internet
Archive}
Walker,
Paul M. 2001. "Fugue," in Grove Music Online.
{Grove}