Summer 2019
MUSC 725 | AS CSL | Grove/Oxford | Harvard Dictionary | JSTOR | Naxos2 | UofSC OPAC
C
O U R S E M O D U L E S
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1. | Origins | |
2. |
Serialism |
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3. | Texturalism & Timbralism | |
4. | Tuning | |
5. | Electronic Music | |
6. | Indeterminacy & Experimentalism | |
7. | Minimalism | |
Integration | ||
Electronic
Reserve
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Thanks for a great semester!
...music exists as it is in the vanguard, or it does not exist at all.
–Herbert Eimert
Theory, analysis and aesthetics of compositional styles associated with
new directions in classical music for the period 1945-80.
Undergraduate music theory sequence
Antokoletz, Elliott. 2014. A History of Twentieth-Century Music in a Theoretic-Analytical Context. New York: Routledge. {GB}
Cope, David. 2001. New Directions in Music, 7th ed. Long Grove, IL: Waveland. {GBd}
Gann, Kyle. 1997. American Music in the Twentieth Century. New York: Schirmer. {GBd}
Straus, Joseph. 2016. Introduction to Post-Tonal Theory, 4th ed. New York: Norton. {GB}
Taruskin, Richard. 2010b. Music in the Late Twentieth Century. New York: Oxford University Press. {GB}
AS CSL- Alexander Street Classical Scores Library
GB - Google Books Preview; GBd - (description only)
Reginald
Bain | University of South
Carolina | School
of Music
https://reginaldbain.com/vc/musc725/