Terms & Concepts

"The Greek language itself made no distinction between art and craft: both were called technē; a great work of art was simply an exceptional piece of workmanship (aristourgēma)."

–  Western painting, in Britannica Academic {BA}

1. Auditory scene analysis (Bregman 1990)
2. Basso continuo (abbr. continuo) {BA; Grove}
• See also:
• Thoroughbass {Grove}
• Figured bass {Grove}
3. Bicinium {WP}
4. Cadence {BA}
5. Canon {BA; HD; Grove}
• Round {BA}
• Prolation canon {WP}
• Puzzle canon {WP}
• Multiple canon
• Double canon, triple canon, etc.
6. Cantus firmus (Lat.) {BA}
7. Chanson {BA; Grove}
8. Chant, plainchant, or plainsong {BA; Grove}
• Gregorian chant {BA; Grove}
• Final {Grove}
  
• Mode (see Mode)
• Reciting tone {WP}
• Syllabic, neumatic, melismatic
9. Chorale {BA; Grove}
10. Clausula {BA; Grove}
11. Counterpoint {BA; HD; Grove; OB}
• 16th-Century Counterpoint (Benjamin 2005; Gauldin 2013a)
• Modal, vocal
• Species Counterpoint {HD} (Fux 1725)
• 18th-Century Counterpoint (Benjamin 2003; Gauldin 2013b)
• Tonal, instrumental
• Free Counterpoint {Grove} (Kennan 1999)
• 20th-Century Counterpoint (Owen 1992; See also: Searle 1954)
• Dissonant Counterpoint {Grove; Spilker 2011}
• Linear Counterpoint (Kurth 1917; Galkin 2021)
• Twelve-Tone Counterpoint {Schoenberg 1984; Krenek 1940; Webern 1963)
• See also: Twelve-tone music
• Polyphony in Popular Music (Hanson 2024)
12. Form {BA}
• Before 1600
• Formes fixes {WP} (Taruskin and Gibbs 2012)
• Ballade: aab[C]
• Rondeau: ABaAabAB
• Virelai: AbbaA
• Trecento song forms {WP} (Taruskin and Gibbs 2012, p. 119)
• Ballata: AbbaA
• Madrigal: aa[a]b
• After 1600
• Binary form {BA}
• Ternary form (BA)
• Rondo form {BA}
• Sonata form {BA}
• Variation form {BA}
13. Free-part style (Ger. Freistimigkeit)
14. Fugue {BA; HD; Grove}
• Precursors of fugue:
• Canzona {Grove}
• Ricercare {Grove}
• Simple fugue
• Multiple fugue
• Double fugue, triple fugue, etc.
• Fugato
15. Imitation {HD; Grove}
16. Invention {BA; Grove}
17. Invertible Counterpoint {HD}
• Double counterpoint
• Triple counterpoint
18. Isorhythm {BA; Grove}
19. Layer {Grove}
• Textural layers
• Polyphonic layers
20. Madrigal {BA}
21. Mass {BA; Grove}
• Cantus firmus mass
• Parody mass
• Paraphrase mass
22. Melody {BA; Grove}
23. Micropolyphony {WP}
24. Minimalism {Grove}
25. Mode {Grove}
26. Modulation {BA}
27. Monody {BA}
28. Motet {BA; Grove}
29. Music of the:
• Middle Ages {HD}
• Renaissance {HD}
• Baroque {HD}
• Classical period {HD}
• Romantic period {HD}
• Twentieth-Century {HD}
30. Notation {Grove}
• Mensural notation {WP}
31. Organum {BA; Grove}
32. Partimento {Grove}
33. Recitative {BA}
34. Rhythmic modes {BA; Grove}
35. Style analysis {Grove} (see LaRue 1970)
• Sound
• Harmony
• Melody
• Rhythm
• Growth
• ---
• Text influence
36. Symphony {BA; Grove}
37. technē (Greek)
• See Western painting {BA}
38. Texture {HD; Grove}
• Monophony {BA}
• Polyphony {BA}
• Homophony {BA}
• Homorhythmic {HD}
• Melody and accompaniment
• Hetrophony {BA}
39. Twelve-tone music
• Serialism {BA; HD; Grove}
• Serial operations: P, R, I & RI
• Pointillism {WP}
• Klangfarbenmelodie {WP}
40. Voice leading (see Huron 2016)

See also:

1. BAIN MUSC 529 Eighteenth-Century Counterpoint: Terms & Concepts
2. BAIN MUSC 726C The Counterpoint of J.S. Bach: Terms & Concepts

Dictionaries and Encyclopedias

1. Britannica Academic {BA}
2. Harvard Dictionary {HD} - *
3. Grove Music Online {Grove} - *
4. Wikipedia {WP}

* - USC proxy server login required

Reference

See MUSC 726A Bibliography

Taruskin, Richard and Christopher H. Gibbs. 2012. The Oxford History of Western Music, College Edition. New York: Oxford University Press. {GB}

Updated: June 16, 2024