MUSC 726C | Blackboard
C O
U R S E M O D U L E S
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Introduction |
2. | Counterpoint & Harmony |
3. | Canon |
4. | Fugue |
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Bach with two notes: one in the right hand, the other in the left hand – he can build a cathedral.
– João Carlos Martins
Course Description
Analysis of the music of J.S. Bach with a focus on canon and fugue
Benjamin, Thomas. 2003. The Craft of Tonal Counterpoint, 2nd ed. New York: Routledge. {Full text: TCL}
Online Media Resources
See also: BAIN MUSC 726C Bibliography & Articles
Benjamin, Thomas. 2003. The Craft of Tonal Counterpoint, 2nd ed. New York: Routledge. {GB; TCL; Full text: EBSCOHost; Ebook Central}
Fux, Johann Joseph. 1965. Study of Counterpoint: From Johann Joseph Fux's 'Gradus Ad Parnassum'. Translated and edited by Alfred Mann. New York: Norton. {GB}
Gauldin, Robert. 2013/1995. A Practical Approach to 18th Century Counterpoint. Long Grove, IL: Waveland Press. {GB1; GB2}
____________. 2004. Harmonic Practice in Tonal Music. New York: Norton. {GB}
Kennan, Kent. 1998. Counterpoint, 4th ed. Englewood Cliffs, NJ: Prentice Hall. {GB}
Mann, Alfred. 1987/1958. The Study of Fugue. Mineola, NY: Dover. {GB}
Schubert, Peter and Christoph Neidhöfer. 2023/2006. Baroque Counterpoint. Expanded Edition. Buffalo, NY: State University of New York Press. {GB; 1/e: GB}
LEGEND
BA -
Britannica Academic; BD
- Bach Digital; BCW
- Bach Cantatas Website
DA
- Digital Anthology; EB;
EBSCOhost; EMS
- Early Music Sources
GB - Google Books; Grove
- Grove Music Online; HD
- Harvard Dictionary of Music
IAWM
- Internet Archive Wayback Machine; MTO - Music Theory Online; TCL
- Thomas Cooper Library
Reginald Bain |
University of South
Carolina | School
of Music
https://reginaldbain/vc/musc726c/