MUSC 726G | Blackboard
C O
U R S E M O D U L E S
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1. | Introduction |
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The Geometry of Pitch |
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3. | The Geometry of Rhythm |
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4. | Exploring Musical Spaces |
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5. | Special Topics |
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6. | Student Research | |
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The Midterm Exam is due Mon., Feb. 24, 10:50 am
Mon, Feb. 24: Midterm Research Project
Dmitri Tymoczko, Musical Objects (OPTIC), pp. 35-40 (Tymoczko 2011)
See Blackboard
Musical operations, such as transposition, can be expressed as symmetries of n-dimensional space.
– Rachel Wells Hall
An introduction to the theory and analysis of music using geometric models
Course Documents
Cohn, Richard. 2012. Audacious Euphony: Chromatic Harmony
and the Triad's Second Nature. New York: Oxford. {GB;
Oxford
;TCL}
Hook, Julian L. 2022. Exploring Musical Spaces: A
Synthesis of Mathematical Approaches. New York: Oxford. {GB;
TCL}
Lewin, David. 2007/1987. Generalized Musical Intervals and
Transformations. New York: Oxford University Press. {GB;
TCL}
Toussaint, Godfried T. 2019. The Geometry of Musical
Rhythm: What Makes a "Good" Rhythm Good? Boca Raton, FL:
CRC Press. {GB;
TCL;
Full text: Ebook
Central}
Tymoczko, Dmitri. 2023. Tonality: An Owner's Manual.
New York: Oxford University Press. {GB;
TCL;
Full text: Oxford
Academic}
______________. 2011. A Geometry of Music: Harmony and
Counterpoint in the Extended Common Practice. New York:
Oxford. {GB;
Oxford;
TCL;
Full Text: Ebook
Central}
Reginald Bain | University of South Carolina | School of Music
https://reginaldbain.com/vc/musc726g/