BAIN MUSC 726D
Debussy & Ravel

Analytical Approaches

Return to: MUSC 726D


Selected analytical approaches to the music of Debussy & Ravel. For references, see BAIN MUSC 726D Bibliography.
  1. Animated listening guide
  2. Annotated analysis
  3. Aurally-based analysis (Beavers 2021)
  4. Automated analysis (Cambouropoulos and Widmer 2000) {}
  5. Compositional model (Puri 2017; Heinzelmann 2011)
  6. Compositional premise (Kaminsky 2003)
  7. Narrative structure (Hoffman 2022; Kilpatrick 2011)
  8. Geometrical music theory (Tymoczko 2010)
  9. Graphic analysis (see Straus 2022, Berstein and Straus 2020, and Straus 2016)
  10. Hermeneutic analysis (Code 2001; Hepokowski 2010)
  11. Jazz theory (Terefenko 2016)
  12. Listening guide; e.g. Edexcel A-level Music {Pearson 2016}
  13. Macro analysis {Macro}
  14. Motivic analysis (Yih 2000)
  15. Narrative strategies
  16. Online analytical approaches (see Biamonte 2016)
  17. Performance and analysis (Kaminsky 2016)
  18. Performer's guide
  19. Music and disability (Rogers 2022; Rogers 2021)
  20. Music and mathematics (Yust 2017)
  21. Orchestral analysis (Beavers 2021)
  22. Proportional analysis (Howat 1983)
  23. Schenkerian analysis (Parks 1989)
  24. Reduced tonality (DeVoto 2004)
  25. Rhythm analysis (Oravitz 2015)
  26. Scale networks (Tymoczko 2004)
  27. Semiotic analysis (Cook 1994)
  28. Set theoretical analysis (Parks 1989)
  29. Style analysis (Dannenberg 2010; Gjerdingen 2008; Pascal 2001; Meyer 1980; LaRue 1970)
  30. Transformational analysis (Lewin 2010; Rings 2008)
  31. Web-based analysis
  32. Video-based analysis



Updated: September 7, 2024

Reginald Bain | University of South Carolina | School of Music
https://reginaldbain.com/vc/musc726d/