MUSC 726D |
Blackboard
C O
U R S E M O D U L E S
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Introduction |
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2. | Piano Music |
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3. | Ballet Music | |
4. | String Quartets | |
5. | Solo and Other Chamber Music |
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6. | Vocal Music | |
7. | Comparative Analysis | |
8. | Orchestral Music | |
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Learning begins in wonder.
– Socrates
Analysis of melody, harmony, rhythm, form, style and orchestration in the music of Claude Debussy and Maurice Ravel
Prerequisite: Undergraduate tonal harmony and voice leading
BnF
- Bibliothèque nationale de France {WP}
IMSLP -
International Music Score Library Project {WP}
See also: BAIN MUSC 726D Bibliography
DeVoto. Mark. 2004. Debussy and the Veil of Tonality: Essays on His Music. Hillsdale, NY: Pendragon Press. {GB}
Parks, Richard S. 1989. The Music of Claude Debussy. New Haven: Yale University Press. {GB}
Howat, Roy. 1983. Debussy in Proportion. Cambridge: Cambridge University Press. {GB}
Kaminsky, Peter, ed. 2011. Unmasking Ravel: New Perspectives on the Music. Rochester: University of Rochester Press. {GB; Full text: Ebook Central}
Kelly, Barbara L. 2001. "Ravel, (Joseph) Maurice." Grove Music Online. {Grove}
Lesure, François and Roy Howat. 2001. "Debussy, (Achille-) Claude." Grove Music Online. {Grove}
Orenstein, Arbie. 1991/1968. Ravel: Man and Musician. Mineola, NY: Dover. {GB}
Pasler, Jan. 2001. "Impressionism." Grove Music Online. {Grove}
Zank, Stephen. 2009. Irony and Sound: The Music of Maurice Ravel. Rochester: University of Rochester Press. {GB}
Reginald Bain | University of South Carolina | School
of Music
https://reginaldbain.com/vc/musc726d/