MUSC 726D | Blackboard
| Listening/Analysis
C O U R S E
M O D U L E S
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Piano Music |
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2. | Ballet Music |
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3. | String Quartets |
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4. | Solo and Chamber Music |
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5. | Vocal Music | |
6. | Orchestral Music |
Welcome to MUSC 726D!
This course will be offered: Summer 2023, 3-Week Session III (3S5),
June 19 - July 7, MTW: 4:10-7:40 pm, B3WEB
It is music alone that has the power to evoke imaginary scenes at will, to conjure up the intangible world of fantasies secretly shrouded within the mysterious poetry of the night, the thousand indistinguishable noises made by moonbeams caressing the leaves.
– Claude Debussy
Analysis of melody, harmony, rhythm, form, style and orchestration in the music of Claude Debussy and Maurice Ravel
Prerequisite: Undergraduate tonal harmony and voice leading
BnF - Bibliothèque nationale de France
See also: BAIN MUSC 726D Bibliography
DeVoto. Mark. 2004. Debussy and the Veil of Tonality: Essays on His Music. Hillsdale, NY: Pendragon Press. {GB}
Parks, Richard S. 1989. The Music of Claude Debussy. New Haven: Yale University Press. {GB}
Howat, Roy. 1983. Debussy in Proportion. Cambridge: Cambridge University Press. {GB}
Kaminsky, Peter, ed. 2011. Unmasking Ravel: New Perspectives on the Music. Rochester: University of Rochester Press. {GB}Kelly, Barbara L. 2001. "Ravel, (Joseph) Maurice." Oxford Music Online. {Grove}
Lesure, François and Roy Howat. 2001. Debussy, (Achille-) Claude." Oxford Music Online. {Grove}
Zank, Stephen. 2009. Irony and Sound: The Music of Maurice Ravel. Rochester: University of Rochester Press. {GB}
Reginald Bain | University
of South Carolina | School
of Music
https://reginaldbain.com/vc/musc726d/