Final Presentation Schedule

• Day 1: Wed., 4/16
  
  
• 1. Michael Calamas, An Exploration of Color through Scale Theory and Neo-Riemannian Operations
  
  
• 2. Adam Clifton, Time's Way: Rhythmic Timelines and Structures in Andrew Thomas' Merlin (1985)
  
  
• 3. Clay Schneider, Simple but Effective: Counterpoint in Christopher Deane's Process of Invention (1996)
  
  
• 4. Alex Lofton, Emergent Rhythms in Alfonso Peduto's Binary Data (2022)
  
  
  
• Day 2: Mon., 4/21
  
  
• 1. Joshua Painter, An Exploration of (016) Voice-Leading Space in Lament (2023)
  
  
• 2. Francisco Ballestas, The Geometry of La Cumbia
  
  
• 3. Ziyue Gao, Bach, Haydn, and Palindrome: The Beauty of Vertical Symmetry in Music
  
  
• 4. Finn McGregor, Artistic Simplicity: The Workings of Steve Reich’s Clapping Music (1972)
  
  
  
• Day 3: Wed., 4/23
  
  
• 1. Cameron Duncan, Visualizing Common-Tone Relationships in the Music of Anthony Plog
  
  
• 2. Leo Chang, Mapping the Hidden Logic: Geometric Approaches to Harmony in Ligeti's Fanfares (1985)
  
  
• 3. Korcan Kostuk, Bowie to Glass: Reimagining Space and Time
  
  
• 4. Nick Kervin, The Geometry of Woody Shaw
  
  
  
• Day 4: Mon., 4/28
  
  
• 1. Cody Raymes, Sacred Symmetry: Palindromic Geometry in Andrew Norman’s “Benedetto,” from The Companion Guide to Rome (2010)
  
  
• 2. Brenna Curtis, Conducting Gesture and Geometrical Music Theory: Mapping Musical Tension and Symmetry
  
  
• 3. Michael Stabile, Compositional Isomorphisms of Pitch and Rhythm
  
  
• 4. Wenxin Xi, Pitch-Class Clock Face Pedagogy: Visualizing Scales and Modes through Geometric Symmetry