MUSC 726G | Blackboard
C O
U R S E M O D U L E S
|
||
1. | Introduction |
|
2. | The Geometry of Pitch |
|
3. | The Geometry of Rhythm |
|
4. | Exploring Musical Spaces |
|
![]() |
Special Topics |
|
6. | Student Research | |
|
Wed., April 2: Fibonacci Numbers and the Golden Section
Brian Evans, Number as Form and Content, pp. 303-306 (Evans 1992)
See Blackboard
One of the luxuries of the artist is that art is validated by the work itself and does not require subservience to the rigors of mathematics or logical proof. As an artist I allow myself full indulgence in that luxury.
– Brian Evans
An introduction to the theory and analysis of music using geometric models
Course Documents
Cohn, Richard. 2012. Audacious Euphony: Chromatic Harmony
and the Triad's Second Nature. New York: Oxford. {GB;
TCL;
Oxford}
Hook, Julian L. 2022. Exploring Musical Spaces: A
Synthesis of Mathematical Approaches. New York: Oxford. {GB;
TCL}
Lewin, David. 2007/1987. Generalized Musical Intervals and
Transformations. New York: Oxford University Press. {GB;
TCL}
Toussaint, Godfried T. 2019. The Geometry of Musical
Rhythm: What Makes a "Good" Rhythm Good? Boca Raton, FL:
CRC Press. {GB;
TCL}
Tymoczko, Dmitri. 2023. Tonality: An Owner's Manual.
New York: Oxford University Press. {GB;
TCL}
______________. 2011. A Geometry of Music: Harmony and
Counterpoint in the Extended Common Practice. New York:
Oxford. {GB;
TCL}
Reginald Bain | University of South Carolina | School of Music
https://reginaldbain.com/vc/musc726g/