BAIN MUSC 116
Music Theory II
Analytical Commentary
Note the perfect authentic cadence (PAC) and the sense of finality it achieves.
Note too the ornamental D4 marked with parentheses in the alto voice.
In m. 2, listen carefully for the arrival of the Dominant (D) and be sure to study how the
7th is added to V at cadence in the tenor voice. This tonic expansion
begins and ends on a root position tonic triad and features
parallel 10ths between the outer voices, a voice-leading
paradigm often found in tonic expansions. {Chorale 195, mm. 5-6}