BAIN MUSC 116
Music Theory II
Analytical Commentary
Compare the imperfect authentic cadence (IAC) in this example with the
PAC in the previous example. Notice how an IAC sounds significantly
less conclusive than a PAC. Also compare the use of root position chords (exclusively) in this
harmonization with the occasional use of inverted chords to create a linear bass in the previous example.
Study the bass line carefully, noting how it arpeggiates (or
outlines) the vi chord at the beginning of the phrase. The vi chord is
also emphasized in the V7-vi deceptive motion that concludes the tonic
expansion. {Chorale 14, mm. 1-2}