MUSC 726D | Blackboard
| Works
for Study
C O U R S E
M O D U L E S
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1. |
Piano Music |
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2. | Ballet Music |
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3. | String Quartets |
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4. | Solo and Other Chamber Music |
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5. | Vocal Music and Comparative Analyses |
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Orchestral Music |
Because music fascinates, excites, and moves us, we want to explain, if only imperfectly, in what ways the events within a particular composition are related to one another and how such relationships shape musical experience.
– Leonard Meyer
Analysis of melody, harmony, rhythm, form, style and orchestration in the music of Claude Debussy and Maurice Ravel
Prerequisite: Undergraduate tonal harmony and voice leading
BnF - Bibliothèque nationale de France
See also: BAIN MUSC 726D Bibliography
DeVoto. Mark. 2004. Debussy and the Veil of Tonality: Essays on His Music. Hillsdale, NY: Pendragon Press. {GB}
Parks, Richard S. 1989. The Music of Claude Debussy. New Haven: Yale University Press. {GB}
Howat, Roy. 1983. Debussy in Proportion. Cambridge: Cambridge University Press. {GB}
Kaminsky, Peter, ed. 2011. Unmasking Ravel: New Perspectives on the Music. Rochester: University of Rochester Press. {GB}Kelly, Barbara L. 2001. "Ravel, (Joseph) Maurice." Grove Music Online. {Grove}
Lesure, François and Roy Howat. 2001. Debussy, (Achille-) Claude." Grove Music Online. {Grove}
Passler, Jan. 2001. "Impressionism." Grove Music Online. {Grove}
Ross, Alex. 2018. "The Velvet Revolution of Claude Debussy: How a reclusive Frenchman created some of the most radical, beautiful music of the modern era." The New Yorker (Oct. 22, 2018). {New Yorker}
Zank, Stephen. 2009. Irony and Sound: The Music of Maurice Ravel. Rochester: University of Rochester Press. {GB}
Reginald Bain | University
of South Carolina | School
of Music
https://reginaldbain.com/vc/musc726d/