Fall 2023
C O U R S E
M O D U L E S
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Course & Studio Introduction |
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2. | Audio Editing & Transformation |
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3. | Interactive Music Programming & MIDI |
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4. | Real-Time Digital Audio |
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Synthesis | |
6. | Special Topics | |
Research
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News
Quotable
Technology enables us in many wonderful ways, but it will never be a substitute for a good idea. The bottom line will always lie with our ears.
– Mark Ballora
Techniques of computer-generated music with a focus on digital audio, MIDI, music programming, and synthesis
Burk, et al., Music and Computers {E-book} (Burk, et al. 2011)
Hass, Introduction to Computer Music {E-book} (Hass 2021)
Audacity | Max | MIDI | MSP | Digital Audio |
Synthesis
Special Topics: Notation
| Sequencing
| Reason | SuperCollider
| AI | See also: History
Magazines & Journals
See also: BAIN MUSC 336 Bibliography & Articles
Burk, Phil, Larry Polansky, Douglas Repetto, Mary Roberts and Dan Rockmore. 2011. Music and Computers: A Theoretical and Historical Approach, Archival Version. Available online at: <https://musicandcomputersbook.com>.
Cycling, '74. 20251. Max 9 Documentation. San Francisco, CA: Cycling '74. Available online at: <https://docs.cycling74.com>
Hass, Jeffery. 2021. Introduction to Computer Music: An Electronic Textbook, 2nd ed. Bloomington, IN: Indiana University. Available online at: <https://cmtext.indiana.edu>.
Reginald Bain | University of South Carolina |
School
of Music
https://reginaldbain.com/vc/musc336/