Fall 2023
C O U R S E M O D U L E S
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Course & Studio Introduction | |
2. | Sound Editing,
Analysis & Transformation |
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3. | Interactive
Music Programming & MIDI |
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4. | Notation & Sequencing | |
5. | Digital
Audio |
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6. | Synthesis |
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Research
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News
Quotable
Technology enables us in many wonderful ways, but it will never be a substitute for a good idea. The bottom line will always lie with our ears.
– Mark Ballora
Techniques of computer-generated music production including aspects of MIDI, digital synthesis, and music programming.
Burk, et al., Music and Computers: A Theoretical and Historical Approach {E-book} (Burk et al. 2011)
Hass, Introduction to Computer Music {E-book} (Hass 2020)
Audacity | Max
| MIDI |
Notation
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Sequencing
| Digital
Audio | MSP | SuperCollider
| Synthesis;
See also: History
See also: BAIN MUSC 336 Bibliography & Articles
Burk, Phil, Larry Polansky, Douglas Repetto, Mary Roberts and Dan Rockmore. 2011. Music and Computers: A Theoretical and Historical Approach, Archival Version. Available online at: <http://musicandcomputersbook.com>.
Hass, Jeffery. 2020. Introduction to Computer Music: An Electronic Textbook, 2nd ed. Bloomington, IN: Indiana University. Available online at: <https://cmtext.indiana.edu>.
Reginald
Bain | University of South
Carolina | School
of Music
https://reginaldbain.com/vc/musc336/